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" Risorgimento today. Signs of regeneration "in Ferrara - Paolo Bianchi / Fabio Pietrantonio by Maria Livia Brunelli

Paolo Bianchi unfortunately and regretfully I do not know and I regret that. Fabio Pietrantonio but I know him thoroughly.
As an artist I like, I am convinced and persuaded sophisticated collectors who come to his art.
An exhibition curated by Maria Livia Brunelli, which raises incentives and interests ...


The exhibition was conceived on the occasion of the celebrations for the Unification of Italy. MLB home gallery asked two artists who now live in what was the Kingdom of Piedmont-Sardinia to interpret the concept of linking it to current Risorgimento. If in 1861 Italy "resurrect" finally free from the foreigner and "united" Today our country is called a new "Renaissance" as spiritual and ethical. Paolo Bianchi Fabio Pietrantonio and have received this widespread

desire for regeneration and exhibits refer to the need to return to the beginning of

recover primitive energies, in comparison with the present full of food for thought.
As if the nineteenth-century concept of Motherland was replaced by topical desire to return to Mother Earth, ancestral felt like a genuine saving, although contaminated by the contradictions of the present.
Paolo Bianchi (Nu, 1975) discovers an invigorating connection with the tradition of spectacular re-enactment of the rituals connected with Carnival Ottana, Barbagia country in the province of Nuoro, Sardinia.
His photographs depict the "Boes and merdules, typical figures of the secular tradition

respectively identify the ox and his master. Powerful and evocative in their white sheepskins, they resonate with their heavy load on large bells braided leather straps, face masks and carry wooden animals that represent animals.
Unfortunately, in early seventies in that area was built the petrochemical industry that has radically changed both the uses that the customs of the inhabitants, profaning the intimate link between the natural man, earth and animal. So the "Boes and merdules" appear in the eyes of the artist a new genetically altered species, the result of cultural and environmental pollution, because under those masks hidden cassintegrati several hours. But feel the force of tradition with pride and want to recover that ancient bond.
Fabio Pietrantonio (Turin, 1966) presents a video and some works created by a performance that has took place in the ancient land of Gallura, the Tomb of the Giants, nuragica town known worldwide for its energy and treatment: front entrance Tomb of the artist stuck thousands of toothpicks, as a symbolic, powerful acupuncture for the planet.

A desire to regeneration that is found in "Flags", born from a reflection on This involves the same material they are made of: fragments of newspapers and fabrics commonly used. Says the artist, who lives in what was the first capital of the Kingdom of Italy: "Where is the Italy of Garibaldi? Every day I look around and see too much negativity about our country's general political, social, economic .. I see an Italy adrift. My flags showing this crumbling of the country, but also a strong urge to compose himself, without a linear project. And 'the difficult spiritual journey that awaits us, who are participating in all beings who have the ability to do so without fear.
The exhibition is in collaboration with the Department for Productive Activities Municipality of Ferrara
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19 / 3 12 / 6 2011

MLB home gallery

Corso Ercole I d'Este, 3 Ferrara (Italy) Rome-London-Berlin-Beijing
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